Transmutations

A digital sculpture portraying a transmutated hybrid, in between the human, the animal, the machine, the bacterial and the fungal.

SUPER G
His work focuses on contemporary concepts of the post-human condition, new materialist feminism, transhumanism, queer theory, and the notion of ecology. It consists of digital spatial installations, chimeric forms, and technologically mediated materialities, largely composed of digitally processed analog models using the 3D scanning method. His practice is non-anthropocentric and is based on the relationship between different embodied and incarnate entities, as well as the direct interaction and interdependence of these entities within broader systems—ecologies and technologies—in which they exist. Positioned between the natural and the artificial, body and spirit, and often between reality and a fictional scenario, it seeks to explore contemporary technological and biological complexity, expressing an alternative desire in relation to the concept of transformation. The transformed creatures and spatial environments aim to place the viewer in positions of understanding and identification, creating a narrative with gendered, symbolic, and social extensions.