le disque de poussière invites us to probe tiny meteorite particles, the terrain of an intriguing investigation into the origin of stars. Their irregular morphology reveals a mineral writing that researchers attempt to decipher, until it mysteriously seems to come to life. The film proposes to reconsider the way we perceive minerals by observing, on a microscopic scale, dust that pre-existed the formation of the solar system. The project questions the limits of our technological tools, revealing the narrative potential of their flaws. Although it is possible to partially decrypt the complex history of meteorites from their microstructures, the occasional malfunctioning of the microscope erases engraved messages. This reminds us of the impossibility of completely controlling things, of grasping them as a whole.
Charline dally
Charline dally (she/they) lives between France and Tiohtià :ke/Mooniyang/Montré al. Her practice combines analog video signals, computer generated imagery, glass and textile through films, installations, and performances. Graduated from Le Fresnoy – Studio national des arts contemporains and UQAM in visual arts, she has realized artistic residencies at Signal Culture (Owego, NY) and the Society for Technological Arts (Montreal). Her work has been presented in various institutions and festivals such as MOCA (Toronto), MAJ (Joliette, QC), FIFA (Montré al), Ann Arbor Film Festival (Ann Arbor, MI), FNC (Montré al), VIFF (Vancouver), CTM Festival (Berlin), MUTEK (CA, ES, AR), BISFF (Beijing), OMAF (Sé oul), Les Abattoirs (Toulouse).